This month is Women’s History Month, making March the perfect time to celebrate a nationally-renowned artist with Bossier Parish connections, Clyde Dixon Connell. Clyde Connell started as a painter but was best-known as a self-taught abstract impressionist sculptor. In 1998, which was the year of her passing at the age of 97, she was named a Louisiana “Living Legend” by the Louisiana Public Broadcasting Service.
Minnie Clyde Dixon was born in Belcher, Louisiana in 1901 and lived on a large sharecropping plantation. In her adult years she lived in Shreveport and during her later years lived in a cabin in Bossier Parish at Lake Bistineau. Both her Dixon family and the family of Thomas Dixon Connell, Jr., who she married in 1922, had ties to Bossier Parish. Local newspapers mention several visits of the young Connell family to rural south Bossier and the “Poole” community in south Bossier Parish. Thomas was a penal farm warden, and this further opened Clyde’s eyes to racial and social justice issues, as did growing up on the plantation in Belcher as a sensitive, observant child. She was well ahead of her time promoting desegregation and teaching at an integrated Presbyterian church school.
Clyde D. Connell took art classes in Shreveport in the 1920s but it wasn’t until the early 1950s after she raised her children, daughter Clyde and son Brian, that she started painting seriously. In 1952 her art style and interest became firmly established when she traveled to New York City on a social work trip with the Presbyterian Church. She visited the Museum of Modern Art multiple times during her extended stay and was drawn to the color and form of the abstract art. Now her own work is in MOMA’s collection.
Clyde Connell became serious about being a fulltime artist by the early 1960s—when she was about sixty years old-- and set up her first permanent studio. She constructed artistic pieces (such as 3-D wall installations) with wood and metal molded together with a mix of paper and glue. Later that mixture became her medium itself, after adding in some local red dirt and reinforcing it with sticks and embedding small pieces of metal found on her son’s cotton farm. She tended to sculpt tall and narrow figures, with religious overtones and homages to the natural world surrounding her at Lake Bistineau. “The New York Times” reported that her sculptures resembled shamans, decorated trees, or towers. In addition to reflecting her lush natural environment, much of her work also was meant to reflect social issues and culture that she observed around her.
Clyde Connell’s work is represented by the Arthur Roger Gallery in New Orleans, which describes her sculptures as “evocative of ritualistic totems and primitive votive objects; her paintings employ primitive markings and pictographs associated with talismanic shapes.” Locally, the Bossier Arts Council in the old Bossier City Hall building in the East Bank District has some of her sculptures on permanent display.
Come visit us to see the History Center’s small archival collection of Clyde Connell materials. If you have any information, stories, or photos about Clyde Connell or other Bossier Parish artists, we would love to see them or to copy them, with permission, to add to the History Center’s research collection. We are open M-Th 9-8, Fri 9-6, and Sat 9-5. Our phone number is (318) 746-7717 and our email is history-center@bossierlibrary.org
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Image: Clyde Dixon Connell from Smithsonian Institution, Archives of American Art
Article by: Pam Carlisle